Following Kung Fu Hustle, Stephen Chow brings us CJ7. Before its release, the focus was squarely on Chow paying tribute to Steven Spielberg via the alien theme. In reality, only a small segment carries a strong E.T. vibe; compared to Chow's earlier films, the homage in CJ7 pales in comparison. Chow has shifted his direction regarding subject matter and execution. The gags are no longer as forced or out of place as they were in Shaolin Soccer and Kung Fu Hustle; in CJ7, they feel carefully considered. The sequence where Dicky dreams incorporates classic scenes from Shaolin Soccer and Kung Fu Hustle—spectators who have seen those films will smile knowingly. The bullying scenes in Kung Fu Hustle, which went too far and felt nauseating (at least to this writer), are much more restrained this time. The film also emphasises heartwarming moments and strengthens the storytelling, whilst maintaining a good balance of humour.
These improvements may be linked to Chow taking a back seat in acting within CJ7, allowing him more time to ponder how to refine the film. Xu Jiao, aside from cross-dressing for the role, delivers an outstanding and wholly unpretentious performance. The design of CJ7 is cute and amusing, provoking plenty of laughter; it proves Hong Kong cinema can create characters on par with Disney or Hollywood animations. With Chow stepping back from the forefront, the supporting cast gets more screen time, and most deliver excellent performances. Conversely, the female lead, Kitty Zhang, has less screen time and does not deliver a particularly standout performance.