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// VISUAL FEED :: LOCAL THEATER DATA
// VISUAL FEED :: LOCAL THEATER DATA
When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.
Since Dom (Vin Diesel) and Brian's (Paul Walker) Rio heist toppled a kingpin's empire and left their crew with $100 million, our heroes have scattered across the globe. But their inability to return home and living forever on the lam have left their lives incomplete. Meanwhile, Hobbs (Dwayne Johnson) has been tracking an organisation of lethally skilled mercenary drivers across 12 countries, whose mastermind (Luke Evans) is aided by a ruthless second-in-command revealed to be the love Dom thought was dead, Letty (Michelle Rodriguez).The only way to stop the criminal outfit is to outmatch them at street level, so Hobbs asks Dom to assemble his elite team in London. Payment? Full pardons for all of them so they can return home and make their families whole again.
Young Mary Katherine (M.K.) returns to her eccentric scientist father's home, but his all-consuming quest to discover a tiny civilization in the neighboring forest drives them apart. However, M.K. soon finds herself shrunken down by Queen Tara of that forest, mortally wounded by the putrefying Boggans, and charged to deliver a pod bearing the new Queen to safety. Together with a veteran Leafman warrior, two goofy mollusks and a young maverick, M.K. agrees to help. As the villainous Boggan leader, Mandrake closes in, M.K. and her new friends must draw on the best of themselves together and discover what they have to save their world.
The Four Horsemen, a magic super-group led by the charismatic Atlas (Jesse Eisenberg), perform a pair of high-tech magic shows, first astonishing audiences by robbing a bank on another continent, and then exposing a white-collar criminal and funneling his millions into the audience members' bank accounts. FBI Special Agent Dylan (Mark Ruffalo) is deermined to make the magicians pay for their crimes - and to stop them before they pull off what promises to be an even more audacious heist. But he's forced to partner with Alma (Melanie Laurent), an Interpol detective about whom he is instantly suspicious. Out of desperation he turns to Thaddeus (Morgan Freeman), a famed magic debunker, who claims the bank heist was accomplished using disguises and video trickery. One thing Dylan and Alma agree on is that the Horsemen must have an outside point person, and that finding him (or her) is key to ending the magicians' crime spree. Could it be Thaddeus? Or Alma? Or could it really be... magic?
A painter's muse is traditionally depicted as the source of inspiration and many a heartache. In Renoir, she inspires both the elderly widow Pierre-August as well as his son Jean, who arrives injured from World War I. Based on a true story, the film paints a complex relationship between father and son - though in this case, the father is a world-renowned master painter, and the son would become one of the great film directors.
Jan Dara (Mario Maurer) and his close friend Ken (Chayapol Julian Pupart)are banished from Bangkok to live with Jan’s grandmother in the rural province of Pijit. There, fate brings Jan to uncover the dark secret of his origin.Later, Aunt Wad travels to Pijit with bad news: At Bangkok house, something terrible happened to Kaew (Sho Nishino), Jan's stepsister - something so unspeakable that only confirms the carnal curse of the Wisnan house.Jan has to return to Bangkok and take revenge against Wisnan, the man who's made his life a living hell. The young man becomes the new master of the house, and the fire of vengeance consumes him to such an extent that he's becoming the man he's hated all his life. He also resumes his sexual adventure with Boonleung (Yaya Ying)...Jan continues his descent into the dark side, despite the protest from the people who love him. What will save the young man from turning into a monster? Will love, sex and friendship save him from what’s eating him alive?
