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// VISUAL FEED :: LOCAL THEATER DATA
DISCLAIMER: RELEASE DATES SUBJECT TO CHANGE BY DISTRIBUTORS. REGIONAL LOCKS MAY APPLY.
In search of adventure, teenagers Mia, Sasha, Nicole and Alexa decide to scuba dive into a submerged Mayan city that is being mapped out nearby. Once inside, the entrance collapses behind them and they must navigate the labyrinthine tunnels and eerie caves in search of another way out as the air in their tanks steadily runs out. It is their worst claustrophobic nightmare, but it gets a whole lot worse when they discover the city is home to some very hungry Great White sharks...
A family of four unravels when its trouble-making teenage scion, A-Ho, is locked up for assault, leaving his parents to deal with his pregnant girlfriend and his victims' claims for compensation. In desperation, the father pins all his hopes on the older son, A-Hao, who harbours a secret of his own.
Still irrevocably scarred by the trauma he endured as a child at the Overlook, Dan Torrance has fought to find some semblance of peace. But that peace is shattered when he encounters Abra, a courageous teenager with her own powerful extrasensory gift, known as the "shine." Instinctively recognising that Dan shares her power, Abra has sought him out, desperate for his help against the merciless Rose the Hat and her followers, The True Knot, who feed off the shine of innocents in their quest for immortality. Forming an unlikely alliance, Dan and Abra engage in a brutal life-or-death battle with Rose. Abra's innocence and fearless embrace of her shine compel Dan to call upon his own powers as never before - at once facing his fears and reawakening the ghosts of the past.
Ying-juan finds happiness in creating delicious dishes for the kids in her mother's daycare centre, but the only thing that everyone seems to see is her plump figure. Under the pressure of her overbearing mother, she finally joins a weight loss program. Ironically, her obsession with her body takes a toll on her soul.
Paris, 1930. Salvador Dalí and Luis Buñuel are already the main figures of the Surrealist movement. Unexpectedly, Buñuel is left moneyless after the scandal surrounding his film The Golden Age. In this difficult situation, he cannot even tackle his next project, a documentary about one of the poorest Spanish regions, Las Hurdes. However, his good friend, sculptor Ramón Acín, buys a lottery ticket with the promise that, if he wins, he will pay for the film. Incredibly, luck is on their side.
